A New Twist for the Wordsmith

Trying to do a new thing here.  I usually post my older poems, leaving the newer stuff for my upcoming book, “the wordsmith’s alley”, but, today, I offer you a new one.

After over-eating, I usually wake up in the middle of the night, grabbing a pen and writing the first thing that comes to mind.  The result is usually a poem that is total nonesense, something that makes you wonder “Now, what was HE thinking about?”  As a result, I made a category in the book called “just for fun”, a bunch of poems that are completely off the top of my head.  This is one such poem.  To make things even more interesting, another twist – this is a raw poem, unrefined, unfinished, and barely edited, as yet.

I’m gonna let this one marinate for a week and by next Friday, I will show you the finished product.  Hopefully, it will be well received.  Enjoy.  V.

untitled

what?!

i AM the handwriting on the wall!

i’m the stuff that oozes down,

all in between the lines;

i’m the stuff that’s off the hook,

that says come on in for a closer look.

*****

straight up –

you ‘bout ta get sucka punched!

see . . . i told you up front,

and i still popped you in the eye.

why?

‘cause you don’t listen.

you don’t believe.

but worst of all,

you don’t even know

that you don’t even know.

*****

i was tryin’ ta get “blonde on blonde” witcha,

but, “u can’t c me”.

yeah, they wrote songs about you,

asking you to get it together,

but, you didn’t listen, you didn’t believe.

all that mess you spoutin’ ain’t nuthin’

but a whole lotta yang.

where the yin at, son?!

i know –

you just dazed and confused.

you just “talkin’ loud and . . . “

aw, you don’t know nuthin’ ‘bout that!

*****

bam!!  sucka punch!

*****

i aughta kick you in ya back

for sayin’ somethin’ stupid like that.

post-katrina?  post-racial?

ain’t nuthin’ “post” about this, baby girl!

it’s ongoin’, everlastin’, neverendin’.

and worst, it will be for forever

if you don’t open your eyes and understand

that you just don’t know what you don’t know, boi!

*****

aight . . . say it wit me: sucker punch!

*****

nah, y’all, i ain’t just hood, i’m good.

and i’m out.

copyright  2011  blackstarr

freerealm@gmail.com

“Plagierism is the steroid of the literary realm” – blackstarr

Picture of “twist” from www.solidworkstutorial.com

Picture of “fist” from www.kaneva.com

Who do YOU know?

Big ups to my daughter for helping to plunge me back into the world of blogging.  Although I haven’t blogged lately, I always have something on my mind that needs to be said.  I have to thank my daughter because of a conversation that we recently shared.  I was trying to relay my extreme disappointment and total disgust at the idea that The NAACP has nominated Tyler Perry for 19 Image Awards.  That’s not just one, not just a few, but 19.  Many.  Plural.  In my humble opinion, that is just downright preposterous.

To my dismay, my daughter surprised me with the answer “Why is that so annoying?  Many people find his plays and works to be a blessing to their lives.  They feel that it has helped them to ‘make it through’”.  What??  Are you kidding me?  Tyler Perry says that.  Mainstream media says that.  I say that most artists who toots their owns horns cannot be taken very seriously.  We all know how the media has a knack for presenting information in a more than distorted slant.  So, I posed a question to her:  Who do YOU know that feels that way?  We danced around that idea for a minute or two, and by the end of the conversation, that question had never been answered.

As true as I am to my own ideals, I like to think that I am not so closed-minded that I cannot fathom that there are those out there who simply adore Mr. Perry.  I don’t deny that.  However, the numbers that I have seen, which are few and far between, have always come from sources that I, for one, can’t believe.  I admit that I don’t have a ton of friends, but, I do have many.  I say with authority that none of them – I repeat – none of them – have anything favorable to say about Tyler Perry’s work.  Not one of them has said that his art has changed their lives.  Perhaps it’s just too true that “birds of a feather” really do stick together.  Along with them, I have seen his work and was dismayed, disgusted, and disappointed.  Herein lies the problem – I paid the price of satisfying my curiosity and no matter what I thought of the movie, DVD, or play, the money was spent and nothing on God’s green earth can get it back (not to mention the wasted moments that I will never regain).  In other words, curiosity caused me to support something that I didn’t like.  It’s the blue pill/red pill dilemma all over again, except that there is no blue pill to take back the horror that the red pill has exposed.

I liken the situation to a movie that I saw  years ago entitled “Mission To Mars”.  It was met with much anticipation.  I knew when the movie was being filmed.  I watched every commercial with bated breath.  I could barely wait for the movie to hit the theaters and was in line the day that the movie debuted.  I am an avid sci-fi nut(case), but it was one of the worst movies that I had ever seen.  EVER seen.  The movie, however, grossed over ninety (90) million dollars.  Basically, even though the film was pitiful, once the money has been paid, it’s all over.  This is, in my opinion, no different than what Perry defenders offer up – “But, he’s made millions!”.  Sure he has.  Can it be that, like on so many other occasions, people have satisfied their curiosity, only to find that it wasn’t worth the peek?  I say “It can happen”.

I’m not so sure that my thirst for an answer will ever be quenched.  Can so many people really like him like that?  Do so many people believe that his “art” has been such a blessing to their lives?  I doubt that those questions will ever be answered for me because those who hold the answers are those in whom I have absolutely no trust.  I wish that I could hear it from the masses.  More likely than not, however, when the votes are all in and the answer is a resounding “yes”, I will probably say “Consider the source”.

I will leave you with one last thought:  Meet The Browns.  Every time that commercial comes on, I get just a little bit nauseous.  That is buffoonery and coonery at it’s very best.  It saddens me so because too many Mantan Morelands, and Stepin Fetchits did what they had to do to get us recognized as artists, and we moved on to a day when African-Americans were seen in a better light.  This generation has embraced this new coonery with open arms.  I’m a baby-boomer in the finest sense of the term.  In the 60′s and 70′s I was about as radical as one could be.  I took every opportunity to take part in any demonstration that was for the betterment of mankind.  We, the baby-boomers, fought long and hard to get the “n” word and the “b” word removed from our conversations.  We ventured out into unknown, uncertain, off-the-beaten-path movies to dispel the notion that the only thing that African-Americans can do is jig.  As  The Field Negro says “The jigging must stop”.  This generations seems to be taking a step back saying “Oh, it’s not that bad”.  “To each his own” is an honorary credo, but there has to be limits.  Seriously, though – Meet The Browns???!!!  What kind of nonsense has Tyler Perry spawned?

The Tyler Perrys of the entertainment world will never cease to be.  Their knack for charming the masses is ever-present.  I can barely fathom the idea that the masses are so drawn to them in such a manner.  I choose to believe that it is merely a case of  ‘pay me first, then see if it’s worth it’.  Yeah – I said that I am not so ‘closed-minded’, but truth be told, like an ostrich with its head deeply buried beneath the ground, I will go down fighting believing that this man’s art is worthless.

So, I ask “Who do YOU know”?  Peace.

copyright 2011 blackstarr

freerealm@gmail.com

HAPPY NEW YEAR !!!!!

 

copyright  2011  blackstarr

freerealm@gmail.com

Photo from Premier-Marquees.co.uk

Cant C Me

There probably has not been a more loyal fan of Tupac Shakur than yours truly.  First, though, a few “despites” -

despite the fact that I hate the “N” word and the “B” word, and

despite the fact that I am not an advocate of either profanity or violence, and

despite the fact that I am anti-drug abuse, I have always been in awe of Tupac and his musical genius.

Perhaps the one song that makes him stand out from the crowd more than any other song is “Can’t C Me”., from the CD “All Eyez On Me”.  The entire song is the epitome of his musical genius, but, let’s forget the entire song – the opening verse is the ultimate in word manipulation and lyrical sculpting.  In the event that you aren’t familiar with the song, you can click >HERE<  for the lyrics.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Although there are probably many depths to his genius, I believe that his greatest assets were threefold – lyrics, music, and the ability to spit words out as easily as you and I breathe air.  He had a peculiar penchant for re-using lyrics from previously recorded songs.  Other artists have done this before him, but the way in which he did it and the meaning that his re-used lyrics brought to the songs took on a life of its own.

I cited this song from his collection because it is my favorite rap song ever, but, his repertoire was seemingly endless when it came to great lyrics, music, and spitting.  A few that come to mind which, in my humble opinion, that come close to the greatness of “Can’t C Me” are “Hit “Em Up”, “Death Around The Corner” and he even did a few love songs that were worth mentioning, which included “Can You Get Away?”.

There you have it – my short and sweet tribute to Tupac.  You owe it to yourself to check out this song .  You can find it on Youtube, of course.  Unfortunately, I couldn’t get it to load here.  In the event that you want to save time, here’s a link to the song from Playlist.com:  Can’t C Me.  Perhaps you’ll be as impressed I have been all these years.

Afeni, wherever you are, thank you.  Peace.

 

copyright  2010  blackstarr

freerealm@gmail.com

Photos from The Huffington Post, and The Judiciary Report.

Merry Christmas 2010!!

 

copyright 2010 blackstarr

freerealm@gmail.com

Operation Scare

Here we go again.  My conspiracy theory tendencies had taken a back seat for quite some time.  By that I mean that I haven’t been seen on any street corners, perched upon a soapbox and warning the people of what awaits us at the next turn.  OK – not lately, anyway.  Make no mistake – I may be quiet, but the wheels are always turning.  No matter how I try to supress the urge to educate the people, it always seems to creep up on me and attack at the least expected moment.

I was listening-but-not-listening to the news just a few moments ago and I heard a story about AMTRAK and Homeland Security launching OPERATION RAILSAFE. It is touted as a plan to secure the rail corridors . . . complete with random security checks of customers and their baggage.  It started a few days ago with the announcement that it is not entirely safe for Americans to travel abroad at the moment.  The powers that be claim that terrorists have targeted certain high profile tourist attractions (particularly those that attract Americans) and said that although this is not a call for a halt to travel abroad, it is advised that extreme care be taken.

This is typical of a right winged, hawkish entity pushing their never-ending agenda to have the government take control of our lives.  I’m not outraged – it’s what they do.  What bothers me is that they pass laws such as The Patriot Act and initiate agencies such as Homeland Security with the public saying “Bring it on.  We need more security”.  The public becomes a willing pawn by being scared to death.  To further kick up my dander, the reporters stopped passersby at the train stations and asked how they felt.  Of those they showed, their answers all had the same pathetic feel:  “It makes me feel so much safer”. Wake up, people.

There is always a cry for increased security and it is always proceeded by some catastrophic event (or threat of the same): suspected terrorists arrested or explosives found in a foreigner’s home  (yes – by “foreigner”, I mean of Arab decent).   There’s even a new one in Washington. D.C. And I am saddened to say that these “tricks” works every time.  Citizens blindly give up their basic civil rights for what is perceived to be better protection from evil, when in reality, they are simply relinquishing their freedoms.

In an election year when right-wing politicians are desperately trying to unseat  their foes or fill seats that have been vacated, it is important that we look a bit closer at the things that candidates are saying rather than cower in fear that we will be destroyed if we do not relinquish our rights.  Our rights are much more important than some “perceived” threats that are thrown our way.  While it is important to maintain some level of safety and security in our nation, it is also important to remember what the forefathers of this nation fought for to begin with.

Wake up, people.  Please.

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copyright  2010  blackstarr

freerealm@gmail.com

the face of certain death (part 3 of 8 from “A Tincture Of Tellurium”

Starkly recognizable,

the face of certain death appeared.

It was toxic, poison,

and, there loomed a hint of evil.

But, she was the quintessential Aphrodite,

in possession of an intrinsic eroticism.

She was the one.

At long last, she had shown herself.

Her eyes were piercing, and, as black as coal,

and, i was prepared to relinquish my very soul.

Her eminence was immeasurable.

Before me, stood the eidolon,

that dream of perfection found.

Her legs seemed to tower to an unimaginable height.

Her breasts were impeccably voluptuous,

and, the splendor that radiated from her face

was heretofore unequaled.

The great Nefertiti would have conceded

her throne of sublime elegance

in the company of such rare beauty.

 

Yet, at the same time, I peered into the face of certain death.

I gazed upon that toxic beauty,

and, was immediately aware of the evil that lived within.

But, to taste of that poison, to be consumed by that evil,

I would have wallowed in that death as if it were but sweet repose.

Though possessed with that new-found mission,

I would live to see the blossom of a new day.

The cup from which I would gladly have sipped,

even in the knowledge of its fatal eventuality,

had escaped my grasp.

As if by some magic,

as if by some mystical power,

in an instant  .  .  .  she vanished.

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copyright  1997  blackstarr

freerealm@gmail.com

until she reveals her face (part 2 of 8, from “A Tincture Of Tellurium”)

I live a sequestered life, for I fathom no reason

to give my precious love to one who is not the one.

She who is the one

has inscribed her being upon the walls of my soul.

Her eminence is forbearing:

imitation

would be an absurdity;

her authenticity

will be unmistakable;

when she appears, I will know.

She will have so rare a beauty that it will astound me.

She will come to me, emanating a trace of evil.

She will administer my fatal injection of ecstasy.

So, I wait, enduring my life in solitude

until she reveals her face to me.

When the night comes,

I close my eyes,

and, I feel her presence.

She is liquid persuasion.

In times of silence,

I perk my ears,

and, she speaks to me,

having the resonant voice of romance.

When i envision my future,

the intricacies of her beauty are fully displayed,

and, my zeal increases, as my ecstasy will not be long delayed.

I live my life sequestered, as if saving it

for some anointed one.

Is no one worthy but she?

Would not love . . . even mere interaction with others

be but dissipation, knowing what the future holds?

I dare not gamble.

surely she is toxic, absorbed in evil,

but, I will patiently endure my life in solitude

until she reveals her face to me.

**************************************************************************************

copyright  1997  blackstarr

freerealm@gmail.com

wordle 10.01.10

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copyright  2010  blackstarr

Poison (part 1 of 8, from “A Tincture Of Tellurium”)

Tellurium . . . she was its human portrayal.

born in the year of fifty two,

passivity consummately overdue.

When she revealed herself to me, this sensuous Aphrodite

was a delightful one-hundred-twenty-eight pounds,

sister to the four winds, free-spirited, untamable.

Tell them that she is as exotic as neon, but, is, in no way, as innocuous.

Her beauty will be astonishing, a rare sight, to be sure.

But, let them be warned that she is

at the same time . . . toxiferous . . . noxious,

a tincture of tellurium.

Her voice was euphonic, yet, like a Grecian siren,

it was full-scale seduction,

and, imminent destruction.

She came to me as the eidolon,

that dream of perfection found, which never comes to be.

And, in the end, she became

. . . my injection,

. . . my addiction,

my reason for self-annihilation.

She was liquid xenon, flowing and unresponsive,

and, nearly as unattainable, her free heart unrestrainable.

My actions brought no reactions.

My words of affection were

. . . weightless molecules,

. . . soundless thoughts,

lost to the wind.

She was a secret code, an indecipherable mystery.

Here was the essence of the arcane,

perched upon a cryptographic plane.

Her eyes pulled me in, and,

her touch replenished.

Her kiss drained me of life itself.

She remained . . . ensconced, . . . unsolved,

even cloaked in a veil of non-divulgence.

Tellurium . . . but a faint trace is certain obliteration.

for to grasp the exotic, to taste of the erotic,

obliteration would have been a welcome relief.

So I grasped, I tasted, and, hastened my own undoing.

She was . . . astonishing . . . a rarity, she was a tincture of tellurium.

***************

copyright  1997  blackstarr

freerealm@gmail.com

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photos from across the web